Fish Festival (魚の祭り - Sakana no Matsuri)
Season:
2019 - PAVIARTS – Department of Body Arts - UNICAMP
2019 - CIS Guanabara - UNICAMP
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Synopsis:
The first text by the Japanese Yu Miri edited in Brazil, “Festa do Peixe” (魚の祭り or Sakana no Matsuri) earned the artist the Kishida Drama, in 1992, when she was only twenty-four years old. Today, Miri dedicates herself to novels, her bookstore and special projects, such as the radio program broadcast directly from Fukushima after the 2011 nuclear accident. In the play, the wake of the youngest brings together a family separated for 12 years.
This ceremony, a mixture of festival and ritual, then becomes a settling of accounts.
Datasheet:
Dramaturgy: Yu Miri
Final version of the translation: Julia Cruz
Excerpts from texts: “A Gaivota”, by Anton Chekhov; “Amores Surdos”, by Grace Passô
Cast: Alessandra Mata, Alice Garcia, Andressa Sanday, Dayani Albuquerque, Flora Rossi, Gabriela Davoli, Gabriel Pestana, João Martins Speckart, Julia Cruz, Mariana Sonati, Mavi Royer, Pedro Viana, Raíssa Bueno.
Direction and scenography: Eduardo Okamoto
Body preparation: Veronica Fabrini
Vocal preparation: Rodrigo Spina
Theoretical support: Isa Kopelman
Direction assistance: Rafael Garcia (Teacher Internship Program - PED), Fernanda Passarelli and Gabriel Pangonis (Didactic Support Program - PAD)
Lighting: Eduardo Okamoto and Gabriel Pangonis
Lighting montage: Anderson da Silva Bonato and Gabriel Pangonis
Lighting Operation: Gabriel Pangonis and Everson George
Cenotechnics: Julio Docjsar, Marcos Aurélio Bernardes de Souza and Alessandra Mata
Scenography consultancy: Julio Docjsar
Live music: Rafael Garcia and Mariana Yamada
Sound design: Julia Cuz Recording: Raíssa Bueno, Nelson Vitale and Dubbing Company
Costumes: Mariana Sonati, Mavi Royer and Raíssa Bueno based on proposals from the cast
Graphic art: Isabella Carvalho and Pedro Viana
Acknowledgments: employees, faculty and students of the Department of Performing Arts at UNICAMP. Hibiki Wadaiko Group, from Marília-SP and Vinicius Ryu Agata. FAPESP and FAEPEX, for funding Eduardo Okamoto's postdoctoral work, which made the first contact with the text possible.